If you were asked to name the biggest global-warming villains of the past 30 years, here’s one name that probably wouldn’t spring to mind: Jane Fonda. But should it?
In the movie “The China Syndrome,” Fonda played a California TV reporter filming an upbeat series about the state’s energy future. While visiting a nuclear power plant, she sees the engineers suddenly panic over what is later called a “swift containment of a potentially costly event.” When the plant’s corporate owner tries to cover up the accident, Fonda’s character persuades one engineer to blow the whistle on the possibility of a meltdown that could “render an area the size of
“The China Syndrome” opened on
Michael Douglas, a producer and co-star of the film — he played Fonda’s cameraman — watched the T.M.I. accident play out on the real TV news, which interspersed live shots from
Fonda, meanwhile, became a full-fledged crusader. In a retrospective interview on the DVD edition of “The China Syndrome,” she notes with satisfaction that the film helped persuade at least two other men — the father of her then-husband, Tom Hayden, and her future husband, Ted Turner — to turn anti-nuke. “I was ecstatic that it was extremely commercially successful,” she said. “You know the expression ‘We had legs’? We became a caterpillar after
The T.M.I. accident was, according to a 1979 President’s Commission report, “initiated by mechanical malfunctions in the plant and made much worse by a combination of human errors.” Although some radiation was released, there was no meltdown through to the other side of the Earth — no “China syndrome” — nor, in fact, did the T.M.I. accident produce any deaths, injuries or significant damage except to the plant itself.
What it did produce, stoked by “The China Syndrome,” was a widespread panic. The nuclear industry, already foundering as a result of economic, regulatory and public pressures, halted plans for further expansion. And so, instead of becoming a nation with clean and cheap nuclear energy, as once seemed inevitable, the
But the big news is that nuclear power may be making a comeback in the
The answer may lie in a 1916 doctoral dissertation by the legendary economist Frank Knight. He made a distinction between two key factors in decision making: risk and uncertainty. The cardinal difference, Knight declared, is that risk — however great — can be measured, whereas uncertainty cannot.
How do people weigh risk versus uncertainty? Consider a famous experiment that illustrates what is known as the Ellsberg Paradox. There are two urns. The first urn, you are told, contains 50 red balls and 50 black balls. The second one also contains 100 red and black balls, but the number of each color is unknown. If your task is to pick a red ball out of either urn, which urn do you choose?
Most people pick the first urn, which suggests that they prefer a measurable risk to an immeasurable uncertainty. (This condition is known to economists as ambiguity aversion.) Could it be that nuclear energy, risks and all, is now seen as preferable to the uncertainties of global warming?
Improbably enough, that would be . . . the
Nuclear enthusiasm may be on the rise, but it can always be dampened by mention of a single word:
But coal, too, has its costs, even beyond the threat of global warming. In the
The accident at
Inside, Christopher Crane, the chief operating officer of Exelon Generation, held forth on the barriers that the nuclear industry must clear before new plants can be built. Among them: the longstanding issue of how to dispose of spent fuel and whether the public has shaken its fear of new nuclear reactors. Crane sat in a conference room within the T.M.I. compound. The view outside was bleak: large, windowless buildings; fencing topped by razor wire; bulletproof sniper stands. Security at all nuclear plants has been heightened since 9/11. If you didn’t know better, you would think you were looking at a maximum-security prison.